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Musée des Beaux-Arts de Nancy : ウィキペディア英語版
Museum of Fine Arts of Nancy

The Museum of Fine Arts of Nancy (in French: ''Musée des Beaux-Arts de Nancy'') is one of the oldest museums in France. Established in 1793, it is housed in one of the four large pavilions on the Place Stanislas created in 1755 by Stanislas Leszczyński, duke of Lorraine.
Some of the painters whose work is featured in the collections are Perugino, Tintoretto, Jan Brueghel the Younger, Caravaggio, Georges de La Tour, Charles Le Brun, Ribera, Rubens, Claude Gellée (known as ''Le Lorrain'' and ''Claude''), Luca Giordano, François Boucher, Eugène Delacroix, Édouard Manet, Claude Monet, Paul Signac, Modigliani, Picasso, Raoul Dufy...
In 1999, the art historian Jacques Thuillier donated a huge collection of drawings (2,000) and engravings (13,000) to the museum.
The museum is open daily from 10 a.m. to 6 p.m. except on Tuesdays, and is closed 1 January, 1 May, 14 July, 1 November and 25 December. It is accessible to disabled persons.
==Architecture==
The building is composed of four different parts.
The visitor enters one of the four pavilions of the Place Stanislas, constructed between 1752 and 1755. This pavilion hosted initially on the first floor a theater called "La Comédie", a medical college on the second floor and the apartment of the college dean on the third. The college moved during the 19th century and the theater burnt in 1906.
In 1930, the town council decided to convert the building into a museum in order to host the fine art collection hitherto held in the city hall. The brothers Jacques and Michel André (respectively architect and engineer), assisted by their father Emile André, designed a first project in January. One year later, the council organized a competition involving the André Family, Georges Biet and André Lurçat. The modernist project of the latter came third. Emile, Jacques and Michel André won the competition and designed the extension the construction of which began in 1933. The new building, made of reinforced concrete hidden by stone facades, remained unfinished after 1936.
The expansion of the collection necessitated a new extension during the 1990s. The architect Laurent Beaudouin and his team were put in charge of this new phase. They designed a museum organized as an architectural promenade through different conceptions of space. The 18th-century pavilion was restored and the extension of the 1930s transformed.
The archaeological excavations made during the construction of this last extension brought to light the oldest part of the museum's building: fortifications of the ancient town of Nancy, built during the 16th and 17th centuries. Nowadays, the production of the glass factory Daum is presented in this basement.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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